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A hall that moves 280,000 people a year · CCXP 2015 in São Paulo, Brazil. ⓒFernando Frazão/Agência Brasil, Wikimedia Commons
A hall that moves 280,000 people a yearCCXP 2015 in São Paulo, Brazil. ⓒFernando Frazão/Agência Brasil, Wikimedia Commons
Daily Culture

The convention that should have opened today is sitting out a full year (CCXP Korea)

2026.08.14

For three days starting today, '2026 Seoul POPCON by CCXP' was supposed to fill Hall C at COEX. A partnership signed in March, the name of the best-attended pop culture convention on earth, a peak-summer weekend. With all of that in hand, the organizers pushed the whole thing back a year on July 9. The event becomes CCXP Korea, and the venue moves from Gangnam out to Ilsan. Buying a brand and building a vessel big enough to hold it turned out to be two different jobs.

1.The schedule still posted on the official listing ran August 14 to 16, Hall C at COEX. The COEX exhibition calendar still carries '2026 Seoul Pop Culture Convention.' On July 9 the organizers announced a postponement to 2027, citing internal discussions and preparation for the global partnership.
2.The date was not the only thing that changed. The event is now CCXP Korea, and the venue shifts from COEX to KINTEX in Ilsan. The organizing committee said it weighed the hosting environment and room to expand, and that 2026 would serve as an integrated preparation period. There is usually only one reason to abandon an exhibition hall in the middle of Gangnam and head out of Seoul. Not enough floor.
3.CCXP began in Brazil in 2014, founded by the pop culture site Omelete, the comics agency Chiaroscuro Studios and the toy company Piziitoys. Attendance that first year: 100,000. Then 196,000 in 2016, 262,000 in 2018, 280,000 in 2019. Roughly triple in five years.
The vessel the event sits in · São Paulo Expo, opened in 2016 and counted among the largest exhibition venues in Latin America. ⓒWikimedia Commons
The vessel the event sits inSão Paulo Expo, opened in 2016 and counted among the largest exhibition venues in Latin America. ⓒWikimedia Commons
4.On headcount alone it passes San Diego Comic-Con. San Diego has been stuck near 130,000 for close to two decades because its convention center cannot hold more, while Brazil moved into a new venue and kept inflating. That is also why Marvel, Warner Bros. and Netflix choose to drop first footage there. Audience size is what a reveal stage is worth.
한 해 관람객, 세 행사 비교
막대 길이는 한 해 관람객 수에 비례한다 CCXP 상파울루 28만 명 · 2019년 샌디에이고 코믹콘 13만 명 선 서울팝콘 4만 8,000명 · 2025년 목표치 CCXP는 위키백과 집계, 샌디에이고는 주최 측 공표치를 따랐다. 서울팝콘은 결산이 아니라 2025년 개최 전 목표 수치다. 세 행사의 집계 기준은 서로 다르므로 크기의 층만 본다.
The gap is not a matter of percentages. It is a matter of digits.
5.Tickets are sliced into tiers. The cheapest runs R$200, the most expensive R$3,300, which at 250 won to the real works out to between 50,000 and 820,000 won. What separates the tiers is how many days you get, how early you walk in, whether you pose with an actor. Whoever paid most enters first and reaches the limited merchandise first. A fandom event does not price seats. It prices position in line.
The booth is the billboard · The CCXP 2015 show floor, where studios and toy makers build booths around oversized set pieces. ⓒFernando Frazão/Agência Brasil, Wikimedia Commons
The booth is the billboardThe CCXP 2015 show floor, where studios and toy makers build booths around oversized set pieces. ⓒFernando Frazão/Agência Brasil, Wikimedia Commons
6.The Korean side started as Comic Con Seoul. It was renamed POPCON in 2022 and is organized by Expoforum. An escalator accident injured visitors that year, and the 2023 and 2024 editions stayed small. In 2025 it moved to September for the first time and ran three days in Hall A at COEX, colliding with Comic World on the same weekend.
The real content of the event · A cosplayer as Cammy from Street Fighter at CCXP 2015. The visitors are the attraction. ⓒFernando Frazão/Agência Brasil, Wikimedia Commons
The real content of the eventA cosplayer as Cammy from Street Fighter at CCXP 2015. The visitors are the attraction. ⓒFernando Frazão/Agência Brasil, Wikimedia Commons
7.The stated targets for Seoul POPCON 2025 were 48,000 visitors, 1,200 buyers and 1,000 business meetings. Putting general admission and trade buyers under one roof is how most Korean exhibition organizers work, because ticket sales alone will not carry a show.
8.In March, Expoforum CEO Shin Hyun-dae and CCXP CEO Pierre Mantovani signed the partnership: sharing technology, content and operating know-how, and attaching K-pop, webtoons and Korean drama to a Hollywood studio network to build what they called Asia's first global pop culture platform. The same announcement carried a date, August 14 to 16, and a venue, COEX.
520 booths in a single hall · A COEX exhibition hall. Hall A on the first floor measures 10,368 square meters and holds a maximum of 520 booths. ⓒWikimedia Commons
520 booths in a single hallA COEX exhibition hall. Hall A on the first floor measures 10,368 square meters and holds a maximum of 520 booths. ⓒWikimedia Commons
9.Four months later that date was gone. Hall A at COEX gives you 10,368 square meters, which converts to a ceiling of 520 booths. The Brazilian event runs on nearly ten times that floor with something like 30,000 people inside at once. Attaching the same name does not produce the same object.
전시 바닥 면적
실내 전시면적 기준, 제곱미터 코엑스 A홀 10,368 코엑스 전관 36,007 킨텍스 108,000 · 국내 최대 면적은 각 전시장 공식 시설 안내를 따랐다. 킨텍스는 1전시장과 2전시장을 합한 값이다.
Moving to Ilsan multiplies the usable floor by ten against Hall A.
10.KINTEX offers 108,000 square meters of indoor exhibition space, the largest in Korea and fourth largest in Asia. The trade-off is that an event people walked into from Samseong Station now sits at the far end of Line 3. Longer travel means fewer day trips and more overnight visits, and absorbing that swap requires a program too thick to finish in a single day.
The stage for 2027 · KINTEX in Ilsan, with 108,000 square meters of indoor exhibition space, the largest of any Korean venue. ⓒWikimedia Commons
The stage for 2027KINTEX in Ilsan, with 108,000 square meters of indoor exhibition space, the largest of any Korean venue. ⓒWikimedia Commons
11.Follow the money and the reason for changing the vessel first becomes obvious. A convention organizer earns from booth rental, admission and sponsorship, and the largest share, arriving earliest, is booths. A 3m by 3m booth in Korea runs 2 to 3 million won, so even a fully sold Hall A at 520 booths caps out around 1.3 billion won by our estimate.
12.Admission tells a similar story. A one-day Seoul POPCON pass cost 28,000 won, and 48,000 visitors all paying full price still lands in the 1.3 billion won range. Comps and early-bird discounts pull the actual take down to roughly 800 million, which puts the whole show at somewhere near 2 billion won. Price the Brazilian audience at the cheapest R$200 tier and 280,000 people still produce 56 million reais, about 14 billion won.
13.CCXP was measured to have generated 900 million reais for São Paulo in 2023, of which 547.3 million came directly from visitor spending and the rest indirectly. Three days worth roughly 225 billion won is what cities compete to host. Past a certain size a convention stops being a ticket business and becomes a municipal one.
The one held back by capacity · The San Diego Comic-Con show floor in 2015. Attendance has been fixed for years by the size of the convention center. ⓒWikimedia Commons
The one held back by capacityThe San Diego Comic-Con show floor in 2015. Attendance has been fixed for years by the size of the convention center. ⓒWikimedia Commons
14.The brand has traveled twice. CCXP Cologne drew more than 40,000 in June 2019 before COVID ended it the following year, and CCXP MX opened in Mexico City in May 2024. The distance between 280,000 at home and 40,000 in Cologne is this brand's actual transplant record.
An event where the line is the program · The Hall H queue at San Diego Comic-Con 2011. Fans line up the night before to see a marquee panel. ⓒWikimedia Commons
An event where the line is the programThe Hall H queue at San Diego Comic-Con 2011. Fans line up the night before to see a marquee panel. ⓒWikimedia Commons
15.Conditions at home are not soft either. Comic World and AGF already split the subculture event market, and in 2025 overlapping dates split the audience. Complaints that 28,000 won a day is steep never went away, because to someone coming to browse creator booths, close to 30,000 won is the price of a couple of pieces of merchandise.
The incumbent · Comic World Seoul, which has run for years on creators renting their own booths to sell print work and merchandise. ⓒWikimedia Commons
The incumbentComic World Seoul, which has run for years on creators renting their own booths to sell print work and merchandise. ⓒWikimedia Commons
The density of the Korean fandom · A cosplayer at a subculture event held in Suwon in May 2025. ⓒWikimedia Commons
The density of the Korean fandomA cosplayer at a subculture event held in Suwon in May 2025. ⓒWikimedia Commons
16.The three-day run that should have filled Hall C at COEX today is not happening, and the same name returns in 2027 on 108,000 square meters at KINTEX. Borrowing the name of the largest pop culture convention in the world took one signature. Assembling the floor and the studio lineup that name summons took another year. What snags an operation like this first in Korea is the venue contract. Big halls are booked more than a year out and the deposit leaves at signing. Postpone because the program is not ready and that money does not come back. The decision to sit out a year has a price already paid attached to it.
Daily Culture #029 · 2026.08.14 · '2026 Seoul POPCON by CCXP' was scheduled for August 14 to 16, 2026 in Hall C at COEX in Seoul, but was postponed to 2027 by an organizer announcement on July 9, 2026. The event is renamed CCXP Korea, the venue moves to KINTEX in Ilsan, and the organizing committee stated that 2026 will operate as a preparation period. The postponement, renaming and venue change follow Inven and Inven Global reporting of July 9, 2026. The Expoforum-CCXP memorandum of understanding and the references to Expoforum CEO Shin Hyun-dae and CCXP CEO Pierre Mantovani cite ZDNet Korea reporting from March 2026. CCXP was founded in Brazil in 2014 by Omelete, Chiaroscuro Studios and Piziitoys; attendance figures (about 100,000 in 2014, 196,000 in 2016, 262,000 in 2018, 280,000 in 2019), CCXP Cologne (June 2019, more than 40,000) and CCXP MX (first held in Mexico City in May 2024) follow the English Wikipedia entry on CCXP. The R$200 to R$3,300 ticket range and the 2023 economic impact of 900 million reais (547.3 million direct, 352.8 million indirect) cite local reporting; won conversions are approximations at 250 won to the real. Seoul POPCON 2025 ran September 12 to 14, 2025 in Hall A at COEX, and the figures of 48,000 visitors, 1,200 buyers and 1,000 meetings are organizer targets, not audited results. The 28,000 won day pass, the 2022 escalator accident and the schedule clash with Comic World follow the Namuwiki POPCON entry and Korean press reports. Hall A's 10,368 square meters and 520-booth maximum come from official COEX facility information; KINTEX's 108,000 square meters of indoor exhibition space comes from official KINTEX facility information. Booth rental of 2 to 3 million won, the resulting 1.3 billion won, the 800 million won net admission figure and the 14 billion won Brazilian ticket figure are the writer's estimates from published rates and attendance, unrelated to organizer results. Photo credits appear in each caption.