For three days starting today, '2026 Seoul POPCON by CCXP' was supposed to fill Hall C at COEX. A partnership signed in March, the name of the best-attended pop culture convention on earth, a peak-summer weekend. With all of that in hand, the organizers pushed the whole thing back a year on July 9. The event becomes CCXP Korea, and the venue moves from Gangnam out to Ilsan. Buying a brand and building a vessel big enough to hold it turned out to be two different jobs.
1.The schedule still posted on the official listing ran August 14 to 16, Hall C at COEX. The COEX exhibition calendar still carries '2026 Seoul Pop Culture Convention.' On July 9 the organizers announced a postponement to 2027, citing internal discussions and preparation for the global partnership.
2.The date was not the only thing that changed. The event is now CCXP Korea, and the venue shifts from COEX to KINTEX in Ilsan. The organizing committee said it weighed the hosting environment and room to expand, and that 2026 would serve as an integrated preparation period. There is usually only one reason to abandon an exhibition hall in the middle of Gangnam and head out of Seoul. Not enough floor.
3.CCXP began in Brazil in 2014, founded by the pop culture site Omelete, the comics agency Chiaroscuro Studios and the toy company Piziitoys. Attendance that first year: 100,000. Then 196,000 in 2016, 262,000 in 2018, 280,000 in 2019. Roughly triple in five years.

4.On headcount alone it passes San Diego Comic-Con. San Diego has been stuck near 130,000 for close to two decades because its convention center cannot hold more, while Brazil moved into a new venue and kept inflating. That is also why Marvel, Warner Bros. and Netflix choose to drop first footage there. Audience size is what a reveal stage is worth.
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5.Tickets are sliced into tiers. The cheapest runs R$200, the most expensive R$3,300, which at 250 won to the real works out to between 50,000 and 820,000 won. What separates the tiers is how many days you get, how early you walk in, whether you pose with an actor. Whoever paid most enters first and reaches the limited merchandise first. A fandom event does not price seats. It prices position in line.

6.The Korean side started as Comic Con Seoul. It was renamed POPCON in 2022 and is organized by Expoforum. An escalator accident injured visitors that year, and the 2023 and 2024 editions stayed small. In 2025 it moved to September for the first time and ran three days in Hall A at COEX, colliding with Comic World on the same weekend.

7.The stated targets for Seoul POPCON 2025 were 48,000 visitors, 1,200 buyers and 1,000 business meetings. Putting general admission and trade buyers under one roof is how most Korean exhibition organizers work, because ticket sales alone will not carry a show.
8.In March, Expoforum CEO Shin Hyun-dae and CCXP CEO Pierre Mantovani signed the partnership: sharing technology, content and operating know-how, and attaching K-pop, webtoons and Korean drama to a Hollywood studio network to build what they called Asia's first global pop culture platform. The same announcement carried a date, August 14 to 16, and a venue, COEX.

9.Four months later that date was gone. Hall A at COEX gives you 10,368 square meters, which converts to a ceiling of 520 booths. The Brazilian event runs on nearly ten times that floor with something like 30,000 people inside at once. Attaching the same name does not produce the same object.
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10.KINTEX offers 108,000 square meters of indoor exhibition space, the largest in Korea and fourth largest in Asia. The trade-off is that an event people walked into from Samseong Station now sits at the far end of Line 3. Longer travel means fewer day trips and more overnight visits, and absorbing that swap requires a program too thick to finish in a single day.

11.Follow the money and the reason for changing the vessel first becomes obvious. A convention organizer earns from booth rental, admission and sponsorship, and the largest share, arriving earliest, is booths. A 3m by 3m booth in Korea runs 2 to 3 million won, so even a fully sold Hall A at 520 booths caps out around 1.3 billion won by our estimate.
12.Admission tells a similar story. A one-day Seoul POPCON pass cost 28,000 won, and 48,000 visitors all paying full price still lands in the 1.3 billion won range. Comps and early-bird discounts pull the actual take down to roughly 800 million, which puts the whole show at somewhere near 2 billion won. Price the Brazilian audience at the cheapest R$200 tier and 280,000 people still produce 56 million reais, about 14 billion won.
13.CCXP was measured to have generated 900 million reais for São Paulo in 2023, of which 547.3 million came directly from visitor spending and the rest indirectly. Three days worth roughly 225 billion won is what cities compete to host. Past a certain size a convention stops being a ticket business and becomes a municipal one.

14.The brand has traveled twice. CCXP Cologne drew more than 40,000 in June 2019 before COVID ended it the following year, and CCXP MX opened in Mexico City in May 2024. The distance between 280,000 at home and 40,000 in Cologne is this brand's actual transplant record.

15.Conditions at home are not soft either. Comic World and AGF already split the subculture event market, and in 2025 overlapping dates split the audience. Complaints that 28,000 won a day is steep never went away, because to someone coming to browse creator booths, close to 30,000 won is the price of a couple of pieces of merchandise.


16.The three-day run that should have filled Hall C at COEX today is not happening, and the same name returns in 2027 on 108,000 square meters at KINTEX. Borrowing the name of the largest pop culture convention in the world took one signature. Assembling the floor and the studio lineup that name summons took another year. What snags an operation like this first in Korea is the venue contract. Big halls are booked more than a year out and the deposit leaves at signing. Postpone because the program is not ready and that money does not come back. The decision to sit out a year has a price already paid attached to it.
